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Free hi-hat samples

Free closed and open hi-hat samples for programming grooves, from crisp drum machine hats to acoustic cymbals, each with a preview and licence verdict.

Samples
33 samples
Sources
from 3 sources
Cleared for commercial use
12 cleared for commercial use
Direct downloads
33 with direct download
Updated

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33 samples

Picked automatically from a live search of 41 sites and refreshed daily. Each sound belongs to its creator: check its licence on the source page before you release it.

Closed, open and pedal hats

Hi-hats carry the rhythm between the kick and the snare, so they are the part listeners hear as groove. Closed hats give the steady eighths or sixteenths; open hats mark the offbeats in disco and house; pedal hats add a soft chick when the foot closes the cymbals.

For trap and drill, short, bright hats work best because they are often programmed in fast rolls and triplets. For lo-fi and boom bap, darker, slightly distorted hats sit better behind the drums.

Tips

Filter the low end out of every hat to keep the mix clean, and pan them a little to one side as a real kit would. If you use an open hat, set your sampler to let the closed hat choke it. Check the licence badge before you build a whole loop around a sound.

Questions

What is the difference between a closed and an open hi-hat?
A closed hat is played with the two cymbals pressed together, giving a short tick. An open hat lets them ring, giving a longer wash. In a drum machine they usually share a choke group, so a closed hat cuts off a ringing open one.
How do I make programmed hats sound less robotic?
Vary the velocity of each hit, shift some hits slightly off the grid, and use two or three different closed hats in rotation. Even small changes in volume and timing make a pattern breathe.
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