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Free open hi-hat samples

Free open hi-hat one-shots, from tight half-open barks to long washy sizzles, for house, disco, trap and breaks, with a licence verdict on every sound.

Samples
28 samples
Sources
from 2 sources
Cleared for commercial use
13 cleared for commercial use
Direct downloads
28 with direct download
Updated

Search live for “open hat”Use it from code or an agent

28 samples

Picked automatically from a live search of 41 sites and refreshed daily. Each sound belongs to its creator: check its licence on the source page before you release it.

What to listen for

An open hi-hat is the two cymbals of the hat stand struck while they are apart, so the sound rings instead of stopping dead. Samples range from a short half-open “tss” to a long, washy decay. Drum machine opens, such as the 808’s and 909’s, are bright and noisy; acoustic opens carry more pitch and a slower decay.

Pick the length for your tempo. At 125 BPM an offbeat open hat has a little under a quarter of a second before the next kick, so a long sample will smear unless you shorten it with the amp envelope.

Fitting it in the mix

Open hats live in the same band as vocals’ sibilance and snare crack. A high-pass around 300 Hz removes low thud you don’t need, and a touch of velocity variation keeps a sixteen-bar loop from sounding like a copy-paste. Choke it with your closed hat, as a drummer’s foot would.

Questions

Why does my open hat sound messy next to the closed hat?
On a real kit the closed hat chokes the open one, because both come from the same pair of cymbals. Put both samples in one choke group (most samplers and drum racks have the option) so a closed hit cuts the open tail short.
Where should an open hat go in a house beat?
The classic placement is on the offbeat, the 'and' between kicks, which gives four-on-the-floor patterns their lift. Keep the tail short enough that it ends before the next kick.
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